Showing 1–12 of 23 results

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AudioTrack

 66,39  25,20

AudioTrack

With 3 processors – EQ, compression and gating – in one easy-to-use plugin, AudioTrack functions like a mixing console’s channel strip, serving your most essential needs on any audio track.

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CLA Drums

 83,19  42,01

CLA Drums

Chris Lord-Alge on CLA Drums: “One of my favorite activities is to work on drums. When creating the CLA Drums plugin, I had one thing in mind: Anyone who uses it can get a great drum sound for any song and any mix and just have fun! There are six different modes: Kick, Snare, Toms, Overheads, Room and, of course, my favorite, Cowbell. There are three color-coded presets for bass EQ, treble EQ, compression, and reverb, plus a noise gate so you can even get rid of leakage. The faders let you control the amount of each effect and, especially important for drums, we’ve included a phase switch so you can find the best setting for the kit.”

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CLA Effects

 83,19  25,20

CLA Effects

Multi-effect plugin that delivers the radio-ready sound of Grammy-winning mixer Chris Lord-Alge (Green Day, U2): reverb, delay, distortion, EQ and more.

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CLA Unplugged

 83,19  33,61

CLA Unplugged

Chris Lord-Alge on CLA Unplugged: “CLA Unplugged is a dream box of reverb effects plus great hi-res EQ and compression for complex sounds. I always loved the Aerosmith ‘Dream On’ vocal reverb with the really long pre-delay. And I wanted a plugin that you could also put on strings, piano, acoustic guitars, and nylon guitar solos. This plugin was designed to give you limitless reverb and delay possibilities, and the smoothest EQ curve around.”

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Eddie Kramer Bass Channel

 83,19  42,01

Eddie Kramer Bass Channel

Eddie Kramer on the Bass Channel: “The idea behind the Eddie Kramer Bass Channel was to create a fat bass sound with a lot of presence, that cuts through without being overbearing. In general, the low-mid frequencies are accentuated, so it really pops on radio mixes. That way, you can always hear it clearly, even at low volumes on small speakers. The Bass Channel comes in two flavors: Bass1, which is less compressed, for a more dynamic sound that has room to breathe, and Bass2, a more aggressive sound with increased compression.”

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Eddie Kramer Drum Channel

 83,19  42,01

Eddie Kramer Drum Channel

Eddie Kramer on the Drum Channel: “The Drum Channel plugin really captures the essence of my drum sounds. Whether you’re trying to achieve a huge Zep-like sound with loads of atmosphere, or are going for something more dry and down-to-earth like the Stones, or need a heavily-compressed, squashed, Hendrix-type sound, this is the plugin that will get you there, quickly and easily. Since there are individual modes for bass drums, snares, and so on, you can really mix things up by creating your own hybrid drum kits, using your favorite elements from each.”

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Eddie Kramer Effects Channel

 83,19  33,61

Eddie Kramer Effects Channel

Eddie Kramer on the Effects Channel: “For the Effects Channel plugin, I set out to recreate some of the basic elements that I use whenever I’m painting a sonic picture. Over the years, these elements have evolved to suit a variety of sources and styles, from whispering vocals to screaming guitars and beyond.

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Eddie Kramer Guitar Channel

 83,19  42,01

Eddie Kramer Guitar Channel

Eddie Kramer on the Guitar Channel: “The Guitar Channel plugin features settings for lead guitars and two types of rhythm guitars.

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Eddie Kramer Vocal Channel

 83,19  42,01

Eddie Kramer Vocal Channel

Eddie Kramer on the Vocal Channel: “When mixing, there’s always a fight going on between the vocal and the rest of the track. For me, what makes a good mix is when all the elements combine seamlessly, complimenting one other. When we designed the Vocal Channel plugin, we did it in such a way that the user can position the vocals within the mix, and then blend it back into the track, without it popping out, in such a way that it retains all its original clarity and presence.”

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JJP Bass

 83,19  33,61

JJP Bass

Jack Joseph Puig on JJP Bass: “Every track is different. And every bass track is different. Sometimes you want just a great bottom; other times you want something with more mid-range that cuts through a mix. You may want to give it a bit of distortion, give it an edge. Or you’ll want to shape the sound with some nice bell EQs, use some compression and gate to lock it with the kick drum. I could even see someone using this plugin on the drums of a hip hop track as a sub enhancer, to give it some attitude. JJP Bass is a plugin that could be used in any situation.”

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JJP Cymbals & Percussion

 83,19  25,20

JJP Cymbals & Percussion

Jack Joseph Puig on JJP Cymbals & Percussion: “There’s really so much you can do with cymbals and percussion. You can use some lo-fi effect to fatten up shakers. You can take out the mid-range on tambourines to make them sound brighter, or you can add some dirt and distortion to make them sound grittier. You can boost the high end to enhance the shimmer of the cymbals or compress them hard, to bring out other aspects of their sound. The JJP Cymbals & Percussion plugin gives you instant access to all the different colors I like to use, so you can just fire it up, find what you need, and stay creative.”

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JJP Drums

 83,19  25,20

JJP Drums

Jack Joseph Puig on JJP Drums: “There are certain things you usually just take for granted when you’re mixing drums. Sure, the snare has to snap. Or maybe you want it to have a woodier sound. The bass drum has to have a nice bottom. But beyond that, there’s a whole other range of things you need to consider to really make the song come alive. Maybe there’s some tonality in the drum kit that you want to emphasize. How do the drums relate to the rest of the song? And once you figure all that out—how do you get there? Well, what’s really great is, JJP Drums is a plugin that can do it all.”