1.0Mixed by Marc Mozarthttps://mixedbymarcmozart.com/it/marcmozarthttps://mixedbymarcmozart.com/it/author/infomozartandfriends-com/rich600338<blockquote class="wp-embedded-content" data-secret="TxQJ2ctecr"><a href="https://mixedbymarcmozart.com/it/product/maserati-gti/">Maserati GTi</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://mixedbymarcmozart.com/it/product/maserati-gti/embed/#?secret=TxQJ2ctecr" width="600" height="338" title="“Maserati GTi” — Mixed by Marc Mozart" data-secret="TxQJ2ctecr" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); </script> https://mixedbymarcmozart.cdnport.com/2020/01/Waves_Maserati-GTi.jpg800450Maserati GTi Tony Maserati on the GTi Guitar Toner: “The GTi was created with all the different guitar players I’ve admired in mind. I tried to find settings that would be a starting place for getting their sound, from the ‘Clean’ in-your-face sound of, say, Elliott Smith to the wide chorus-y spread of The Police’s Andy Summers using the ‘Clean Chorus’ setting. On the ‘Heavy’ setting, a bit of level and EQ help your already crunched guitar sound scream through any thick instrumentation you’ve got. ‘Thick Rhythm’ lets you to subtly or substantially make your rhythm guitar sound livelier; it also works great on Wurlis and Horns. The ‘Soft Flange’ setting is just that; it adds interesting and subtly audible filtering to legato notes or sustained electric guitars. My intention was to make these effects usable in a wide variety of applications. The wild and crazy FX are out there; you already got ‘em if you need ‘em!”