La mayoría de productores tienen unos envíos y retornos de reverbs y delays básicos en las sesiones de sus DAWS: una reverb estándar (mayoritariamente un ajuste tipo plate o concert hall de 3 segundos), un delay para throws (con feedback para repetir ecos), y tal vez una simulación tipo small room con reflexiones tempranas. Todas…
[MIX TEMPLE PRO] Pre-Order has launched December 23rd, 2018! Are you getting value from my videos, tutorials or book, and do you want to improve your mix workflow even more? Today I’m asking you to support the work I’m doing with my team by pre-ordering MIX TEMPLE PRO! MIX TEMPLE PRO includes: • PRO Templates…
Are you on the right side of this? Are you consuming social media, or are you a creator? Let me explain the world in 1995. It had a massive wall between creators and the audience. 5 old men aka the power of media companies and broadcasting were controlling access to the mainstream audience. Now of…
Interviewing Will Henshall, legendary producer/writer/founder of London Beat, inventor of the collaboration technology behind Avid Pro Tools DigiDelivery & Cloud Collaboration, CEO and Founder of Focus At Will Labs, a streaming company that distributes productivity-enhancing music. Will Henshall on Facebook focusatwill Website Make sure to check out Season 1 of my new TV-series Your Mix…
Interviewing Will Henshall, legendary producer/writer/founder of London Beat Mix Temple Podcast #5 | Interview with Matt “Doctor” Fink, a member of Prince’s band The Revolution, from 1979. In the live performances Fink usually appeared dressed in surgical scrubs and mask. He continued working with Prince until 1990 as an early member of the New Power…
VCA Faders – Balancing the balance. Balancing the instruments of your song is the essence of mixing. You have a bunch of faders – one for each instrument – and you move ‘em all to a position where your mix sounds great. Easy, right? Well, in theory, thats correct – but there are a bunch…
This is a look at the most popular classic types of EQs, from my best-selling book “YOUR MIX SUCKS”. The book is a Complete Mix Methodology for the entire process from DAW preparation to delivery. Before we dive into specific types of EQs, and where to use them, know that you will need to use…
A very common scenario for an audio engineer is to be working as part of a team or company. This could be a collective of songwriters and music producers, the audio group of a bigger company with multiple businesses (from game development to news podcasting), a studio producing audio for commercials, a good old classic…
This post is about cause and effect, and why things have to be done in the right order. I’m receiving a lot of e-mails from people who ask me to review and comment on their mixes, many even offer me money to do this as a service. The e-mails go something like „what’s the single…
In „The magic of the first listen“, I spoke about the massive advantage a hired mix engineer has, compared to the situation of a producer mixing his own song. But of course, many of you are producers and songwriters or even artists who write, play, produce and mix your own music from start to finish.…
The environment in our jobs is tough, the music industry is on a Titanic-course. All the more, the most critical skill in our jobs is dealing with clients and their feedback. When you have paying clients, you obviously want to keep them. In addition to all the nerdy audio chapters, this is a major part…
