{"id":935,"date":"2014-12-18T17:12:23","date_gmt":"2014-12-18T16:12:23","guid":{"rendered":"http:\/\/www.mixedbymarcmozart.com\/?p=935"},"modified":"2015-06-09T15:02:09","modified_gmt":"2015-06-09T13:02:09","slug":"presswerk-50-shades-compression","status":"publish","type":"post","link":"https:\/\/mixedbymarcmozart.com\/de\/2014\/12\/18\/presswerk-50-shades-compression\/","title":{"rendered":"PRESSWERK: 50 Shades of Compression"},"content":{"rendered":"

[vc_row margin_top=“20″ margin_bottom=“20″ padding_left=“40″ padding_right=“40″ bg_position=“top“ bg_repeat=“no-repeat“ bg_cover=“false“ bg_attachment=“false“ padding_top=“40″ padding_bottom=“40″ parallax_speed=“0.1″][vc_column width=“1\/1″][vc_column_text]In a previous post on compression<\/a>, I looked into using compressors as \u201etoneboxes\u201c, and put a few classic compressor emulations through a test setup that would make their harmonic distortion visible, using a test oscillator and frequency analyzer.<\/p>\n

A number of readers immediately asked me to share my opinion on the beta-version of u-he\u2019s PRESSWERK, a new plug-in the manufacturer dubs as \u201euber-compressor construction kit\u201c<\/a>.<\/p>\n

After months of public beta-testing the compressor plug-in has just been released, and this review is giving you a first look at the finished product.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row margin_top=“20″ margin_bottom=“20″ padding_left=“40″ padding_right=“40″ bg_position=“top“ bg_repeat=“no-repeat“ bg_cover=“false“ bg_attachment=“false“ padding_top=“40″ padding_bottom=“40″ parallax_speed=“0.1″][vc_column width=“1\/1″][vc_single_image image=“959″ border_color=“grey“ img_link_target=“_self“ img_size=“large“ alignment=“center“][\/vc_column][\/vc_row][vc_row margin_top=“20″ margin_bottom=“20″ padding_left=“40″ padding_right=“40″ bg_position=“top“ bg_repeat=“no-repeat“ bg_cover=“false“ bg_attachment=“false“ padding_top=“40″ padding_bottom=“40″ parallax_speed=“0.1″][vc_column width=“1\/1″][vc_column_text]<\/p>\n

Basics<\/h2>\n

Berlin-based company u-he, named after it\u2019s founder Urs Heckmann, is a boutique developer of audio plug-ins. I\u2019m sure many of you have heard of u-he\u2019s instruments DIVA<\/a> and ZEBRA<\/a>, synthesizer plug-ins that are highly rated amongst my producer-friends in electronic genres.<\/p>\n

As far as I know it\u2019s their first foray into compression territory, but of course their fine reputation in analogue circuit emulations had me expect something new and unique, manufactured to the highest standards of a boutique german engineering team. Let’s not forget they are the guys behind the SATIN TAPE MACHINE<\/a>, one of the finest Tape Simulation and Tape Effects plugins<\/a> on the market.<\/p>\n

PRESSWERK is available in all major plugin formats (AU, VST2, AAX) for both Mac OS X and Windows, and even delivers full compatibility with both 32 and 64bit applications (something most plug-in developers failed to achieve).
\nDownload and installation<\/a> took less than 2 minutes. The download folder comes with a very detailed PDF user manual that gives a lot of valuable background information on the philosophies behind the various building blocks.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row margin_top=“20″ margin_bottom=“20″ padding_left=“40″ padding_right=“40″ bg_position=“top“ bg_repeat=“no-repeat“ bg_cover=“false“ bg_attachment=“false“ padding_top=“40″ padding_bottom=“40″ parallax_speed=“0.1″][vc_column width=“1\/1″][vc_column_text]<\/p>\n

The Look<\/h2>\n

The first thing that came to my mind was that despite a total of 38 controls on the GUI, PRESSWERK didn\u2019t overwhelm me with the number of controls – it looks very accessible.
\nThats partly thanks to PRESSWERKs huge default size on the screen (about 1\/6th on my 30\u201c Apple Cinema HD Display), and a lot of considerations went into the GUI-design.
\nDuring the public beta-test, GUI elements and features were added and removed again, and this final release version feels very solid in that respect. I really like the beautiful VU-meters placed in the center of the plug-in, and there is a hardware feel to the various controls of PRESSWERK.
\nBTW, the size of the GUI can be adjusted in 10%-steps, from 672 x 462 to 1920 x 1320 pixels. Even the brightness of the GUI can be adjusted in 5 steps, just one of many little useful details.[\/vc_column_text][\/vc_column][\/vc_row][vc_row margin_top=“20″ padding_left=“40″ padding_right=“40″ bg_position=“top“ bg_repeat=“no-repeat“ bg_cover=“false“ bg_attachment=“false“ padding_top=“40″ padding_bottom=“40″ parallax_speed=“0.1″][vc_column width=“1\/1″][vc_column_text]<\/p>\n

Building Blocks<\/h2>\n

If you look at the block diagram, you will see that PRESSWERK unites all the features and topologies found in classic 1950 – 1970 compressors, while giving the user full control over these features and clear labels to access these in detail.
\nI can see PRESSWERK becoming popular in audio schools, as there’s no other plug-in that will make it that easy to educate someone about the details of ALL vintage compressors in one plug-in.[\/vc_column_text][\/vc_column][\/vc_row][vc_row margin_top=“20″ margin_bottom=“20″ padding_left=“40″ padding_right=“40″ bg_position=“top“ bg_repeat=“no-repeat“ bg_cover=“false“ bg_attachment=“false“ padding_top=“40″ padding_bottom=“40″ parallax_speed=“0.1″][vc_column width=“1\/1″][vc_single_image image=“950″ border_color=“grey“ img_link_target=“_self“ img_size=“full“][\/vc_column][\/vc_row][vc_row margin_top=“20″ padding_left=“40″ padding_right=“40″ bg_position=“top“ bg_repeat=“no-repeat“ bg_cover=“false“ bg_attachment=“false“ padding_top=“40″ padding_bottom=“40″ parallax_speed=“0.1″][vc_column width=“1\/1″][vc_column_text]<\/p>\n

How does it sound?<\/h2>\n

First thing I did was load the template of my recent article on compression and harmonics<\/a>, and take a quick look at the spectrums PRESSWERK generates when you feed it with sine-tones of various levels.
\nThat of course put my attention immediately to the \u201esaturation\u201c-section of the plug-in.
\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row margin_top=“20″ margin_bottom=“20″ padding_left=“40″ padding_right=“40″ bg_position=“top“ bg_repeat=“no-repeat“ bg_cover=“false“ bg_attachment=“false“ padding_top=“40″ padding_bottom=“40″ parallax_speed=“0.1″][vc_column width=“1\/1″][vc_single_image image=“973″ border_color=“grey“ img_link_target=“_self“ img_size=“full“ alignment=“center“][\/vc_column][\/vc_row][vc_row margin_top=“40″ margin_bottom=“40″ padding_left=“40″ padding_right=“40″ bg_position=“top“ bg_repeat=“no-repeat“ bg_cover=“false“ bg_attachment=“false“ padding_top=“40″ padding_bottom=“40″ parallax_speed=“0.1″][vc_column width=“1\/1″][vc_message color=“alert-danger“ style=“rounded“]<\/p>\n

TEST SETUP & PROCEDURE<\/h3>\n

Let\u2019s run PRESSWERK through a test setup and procedure<\/strong>, then look at what the results tell us!
\n(BTW, I\u2019ll give you the test setup as a Logic-Template for download so you can play with it – just subscribe to the newsletter!)<\/p>\n

Here’s a screenshot of the setup:<\/p>\n

\"PRESSWERK<\/a><\/p>\n

The Test Oscillator in Logic Pro X feeds PRESSWERK with a test-tone:<\/strong>
\n\u2022 The test tone is a sine-wave (as you know, a sine-wave has no added harmonics).
\n\u2022 We cycle through 55 Hz, 110 Hz, 220 Hz, 440 Hz tones
\n\u2022 then a sweep from 20 Hz to 20.000 Hz
\n\u2022 ending the cycle with a 100 Hz tone<\/p>\n

We cycle through this 3 times, with rising levels:<\/p>\n

\u2022 1st Cycle:<\/strong>
\nOscillator hits PRESSWERK with – 18 dB<\/strong> of level
\nCompressor Threshold is set JUST BEFORE<\/strong> compression
\nfor the compressor NOT to compress<\/strong> (unity gain)<\/p>\n

\u2022 2nd Cycle<\/strong>
\nOscillator hits PRESSWERK with – 12dB<\/strong> of level (6 dB more<\/strong> than on the previous cycle)
\nCompressor settings stay the same, but of course compression now kicks in<\/strong>!!<\/p>\n

\u2022 3rd Cycle<\/strong>
\nOscillator hits PRESSWERK with – 2 dB of level (another 10dB added<\/strong> on top of the previous cycle)
\nCompressors settings remain the same, but now hitting compression quite hard<\/strong>!<\/p>\n

The upper track you can see in the videos is the automation curve for the Test Oscillator’s frequencies and levels, the lower track shows a huge analyzer plug-in after the output of the compressor (using Logic Pro X\u2019s Channel EQ), and that shows as the frequency spectrum in realtime.<\/p>\n

BTW: – 18 dB in your software is a GREAT average level for your recordings and signals in ALL situations. It assures clean and pristine sound and compatibility with all plug-ins.<\/em>[\/vc_message][\/vc_column][\/vc_row][vc_row][vc_column width=“1\/1″][vc_column_text]All of the emulations I\u2019ve tested in my previous article, except one, generated harmonic distortion, and these would usually increase in level the more gain reduction (= compression) you\u2019re applying.<\/p>\n

With PRESSWERK, you have total control over the amount of harmonics that are added, and the DYNAMICS-control can seamlessly adjust between \u201edepending on the volume of the source material\u201c, and \u201eharmonics always added\u201c.<\/p>\n

The basic harmonics added look somewhat similar to these of a classic UREI 1176 blue stripe, but the various controls of PRESSWERK\u2019s saturation section can highly customize them, for example apply them either PRE or POST compression, statically or following the dynamics of the material, and you can also balance the spectrum of the harmonics slightly using the COLOR-control which is essentially a \u201etilt\u201c-type filter\/EQ.
\nWhen you watch the clip, pay attention at me playing with the Saturation-section of PRESSWERK starting at around 1:11min.[\/vc_column_text][\/vc_column][\/vc_row][vc_row margin_top=“20″ margin_bottom=“20″ padding_left=“40″ padding_right=“40″ bg_position=“top“ bg_repeat=“no-repeat“ bg_cover=“false“ bg_attachment=“false“ padding_top=“40″ padding_bottom=“40″ parallax_speed=“0.1″][vc_column width=“1\/1″][vc_video link=“http:\/\/youtu.be\/HCG_H7_v1e4″][\/vc_column][\/vc_row][vc_row margin_top=“20″ padding_left=“40″ padding_right=“40″ bg_position=“top“ bg_repeat=“no-repeat“ bg_cover=“false“ bg_attachment=“false“ padding_top=“40″ padding_bottom=“40″ parallax_speed=“0.1″][vc_column width=“1\/1″][vc_column_text]<\/p>\n

Bus Compression<\/h2>\n

To further explore the possibilities, I loaded a recent mix I\u2019ve finished, in a version that had no bus compression applied.<\/p>\n

It quickly became clear that PRESSWERK is offering a wide variety of tones and possibilities as opposed to being a one-trick pony that does just one thing (like many of the plugins that emulate classic gear).<\/p>\n

Working with PRESSWERK is always a playful dialling of parameters until you find what you are looking for – and usually that only takes a few seconds.<\/p>\n

Just out of interest I\u2019ve imported the mix in a version that has the Bus Compression of my analogue 4000G console printed on it, and reversed the phase. That way, If I could manage to create silence at the output, PRESSWERK would emulate the characteristic of my hardware.
\nAfter setting Ratio-, Attack- and Release-values similar to my SSL, it took me about a minute of finetuning the Threshold-, Input- and Output-levels to get a cancellation of around 15dB. That is very close!<\/p>\n

Here\u2019s a clip playing back the mix I used for the test. It starts with the compressor bypassed, and I switch in PRESSWERK as a gentle bus compressor at around 0:14 seconds.[\/vc_column_text][\/vc_column][\/vc_row][vc_row margin_top=“20″ margin_bottom=“20″ padding_left=“40″ padding_right=“40″ bg_position=“top“ bg_repeat=“no-repeat“ bg_cover=“false“ bg_attachment=“false“ padding_top=“40″ padding_bottom=“40″ parallax_speed=“0.1″][vc_column width=“1\/1″][vc_video link=“https:\/\/www.youtube.com\/watch?v=gyPMcLEhdSo“][\/vc_column][\/vc_row][vc_row][vc_column width=“1\/1″][vc_column_text]BTW, thanks to south-african duo EBO ELEMENTS<\/a> to let me use their song for this review. I love their music, and you should check out their EP (which I\u2019ve mixed) and add them on Facebook<\/a>.<\/p>\n

In regards to buss compression, PRESSWERK delivers the entire range, from subtle to extreme, and I can see it being used in mastering as well.[\/vc_column_text][\/vc_column][\/vc_row][vc_row margin_top=“20″ padding_left=“40″ padding_right=“40″ bg_position=“top“ bg_repeat=“no-repeat“ bg_cover=“false“ bg_attachment=“false“ padding_top=“40″ padding_bottom=“40″ parallax_speed=“0.1″][vc_column width=“1\/1″][vc_column_text]<\/p>\n

Part 1 Conclusions<\/h2>\n

I didn\u2019t originally plan to make this a 2-Part review, but PRESSWERK has so much more in store that needs to be explored, and I\u2019ll be back with that shortly, looking into compressing vocals, bass, kick, and using the side chain.<\/p>\n

Of course, I\u2019m not ending this first part without an answer to the essential question\u2026[\/vc_column_text][\/vc_column][\/vc_row][vc_row margin_top=“20″ padding_left=“40″ padding_right=“40″ bg_position=“top“ bg_repeat=“no-repeat“ bg_cover=“false“ bg_attachment=“false“ padding_top=“40″ padding_bottom=“40″ parallax_speed=“0.1″ margin_bottom=“20″][vc_column width=“1\/1″][vc_column_text]<\/p>\n

Would I recommend PRESSWERK?<\/h2>\n

Quality<\/h4>\n

Top-notch, which had to be expected by one of the premiere developers of analogue synthesizers. PRESSWERK is another showcase of u-he\u2019s expertise in digital modelling of analogue circuits.<\/p>\n

Ease of use vs. Versatility<\/h4>\n

u-he have found the sweetspot between features and ease of use. 30 years have passed since I first used a compressor – but I still learned a few new things playing with PRESSWERK.
\nAt the same time, you can be a newbie to audio, and still get good results in almost no time.<\/p>\n

Price<\/h4>\n

PRESSWERK is $129. Given the wide range of possible applications, I think it\u2019s a no-brainer.
\nUnless perhaps you already own about 50 vintage compressor emulations by top developers, for which you probably paid several thousand Euros\/Dollars.<\/p>\n

Go and get it\u2026 u-he PRESSWERK website & store<\/a><\/p>\n

BTW, if you\u2019re interested in the test-setup from the first clip, and you use Logic Pro X, subscribe to my email newsletter and I\u2019ll send you the link.
\n[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row margin_top=“20″ margin_bottom=“20″ padding_left=“40″ padding_right=“40″ bg_position=“top“ bg_repeat=“no-repeat“ bg_cover=“false“ bg_attachment=“false“ padding_top=“40″ padding_bottom=“40″ parallax_speed=“0.1″][vc_column width=“1\/1″][vc_column_text]In a previous post on compression, I looked into using compressors as \u201etoneboxes\u201c, and put a few classic compressor emulations through a test setup that would make their harmonic distortion visible, using a test oscillator and frequency analyzer. A number of readers immediately…<\/p>\n","protected":false},"author":1,"featured_media":963,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-935","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mixing-advice","category-4","description-off"],"yoast_head":"\nPRESSWERK: 50 Shades of Compression - Mixed by Marc Mozart<\/title>\n<meta name=\"description\" content=\"Marc Mozart reviews u-he PRESSWERK, uber-compressor construction kit modelling a wide range of 1950 - 1970 classic compressor topologies. 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